Alejandro González Iñárritu @ semiose.net

Ale­jan­dro Gon­zá­lez Iñár­ri­tu (Ci­da­de do Mé­xi­co, 15 de Agos­to de 1963) é um pre­mi­a­do ci­ne­as­ta, ar­gu­men­tis­ta e pro­du­tor de ci­ne­ma me­xi­ca­no.

Fil­mo­gra­fia:
– The Re­ve­nant (2015)
– Bird­man or (The Unex­pec­ted Vir­tue of Ig­no­ran­ce) (2014)
– Biu­ti­ful (2010)
– Cha­cun son ci­né­ma ou Ce pe­tit coup au co­eur quand la lu­miè­re s'éteint et que le film com­men­ce (2007)
– Ba­bel (2006)
– 21 Grams (2003)
– 11'09"01 – Sep­tem­ber 11(2002)
– Pow­der keg (cur­ta-me­tra­gem) (2001)
– Amo­res per­ros (2000)
– El tim­bre (cur­ta-me­tra­gem) (1996)
– De­trás del di­ne­ro (cur­ta-me­tra­gem) (1995)

–> Ler mais na Wi­ki­pe­dia em https://en.wikipedia.org/wiki/Bill_Camp

0: Totus Mundus Agit Histrionem

To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

-- Macbeth, Acto V, Cena 5, 19-28 de William Shakespeare,
dito por Bill Camp em Birdman